Dovrò pagare dazi doganali nell'UE?

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Che cos'è l'IOSS (sportello unico per le importazioni)?

L'IOSS è un portale elettronico per la gestione dell'IVA sulle importazioni nell'UE. Che cosa significa per te: L'IVA è inclusa in tutti i prezzi e ci occupiamo noi della dogana. I tuoi ordini viaggiano in DDP, quindi non paghi nulla in più all'arrivo.

Bill Nighy

Living [DVD]

Prezzo normale: €23,95
Prezzo di vendita: €23,95
Prezzo normale

Valutazione del negozio Yachew 4.6 3,515 recensioni

Nessun costo a sorpresa alla consegna. Eventuali dazi di importazione si pagano al checkout, mai alla porta di casa.

Bill Nighy

Living [DVD]

Prezzo normale: €23,95
Prezzo di vendita: €23,95
Prezzo normale

From the Manufacturer

Bill Nighy – “Mr. Williams”

Bill Nighy is a multi-award-winning actor of both the stage and screen, with an expansive career spanning fifty years. On Living, Bill says “I admired the script very much. It honoured the period very beautifully. And it's a great part! I was happy to learn I must have been very, very good in a previous life.” He describes his role as “a deeply conventional man who is institutionalised by grief.”

Aimee Lou Wood – “Margaret”

Aimee Lou Wood plays Aimee Gibbs in popular Netflix series Sex Education. She also recently appeared in The Electrical Life of Louis Wain, a feature film starring Benedict Cumberbatch, Claire Foy and Andrea Riseborough.

Kazuo Ishiguro - Writer

“I've been wanting somebody to make a British version of this Japanese classic Ikiru, which I had loved for most of my life,” says Kazuo Ishiguro. “I think I first saw it when I was a boy on British TV, and it had a huge impact on me. Partly because of my Japanese background, but quite regardless of that, I think I always lived my life informed by the message in that film.” Ishiguro had long had the sense that the story could work in the UK.

Oliver Hermanus – Director

Oliver Hermanus embraced the challenge of telling an English story, “asking every question, wondering about everything, leaving no stone unturned” to learn everything he could about the period. “That's the fun part of making films,” he says. “You grow as a person through the making of it.”

PRODUCTION DESIGN

Making an independent period film is no easy task at the best of times, and it’s exponentially harder during a pandemic. Production designer Helen Scott and her team therefore had mountains to move, delivering a huge array of sets and locations on budget and as required. “Every day I’m in awe of what she’s achieved,” says Nighy. “The design is exquisite. And it's not just faithfully recording the period. There's a spin on it, which this film needs. You need something that people haven't quite seen before, even though it's 1953.”

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